Everything Must Go (2010)
Tale of a middle-aged suburbanite whose life is crumbling.
Finding Nemo (2003)
Underwater Pixar animated adventure of a clown fish who searches for his only son.
Four Good Days (2020)
Ten years of opioids have left Molly’s life in shambles. A new drug may give her a chance to break free if she is able to stay clean for four days, with the help of her mother Deb, a tough, clear-eyed woman. Their love will be tested to the limits.
Get Out (2017)
A young African-American man visits his Caucasian girlfriend's mysterious family estate.
Gretchen (2006)
An awkward teenager seeks revenge for a broken heart.
Jersey Girl (2004)
A high-flying Manhattan music publicist is forced to reassess his life.
Just Friends (2005)
High school fatty becomes slim womanising record exec in role reversal comedy, with hot girls vs hometown sweetheart.
Leatherheads (2008)
It's 1925, and an aging American football pro trying to make the sport a success falls for a journalist out to bring down one of its biggest stars.
Miles (2016)
In a desperate bid to get the college scholarship he needs, a teenage boy joins the girls’ volleyball team.
The Men Who Stare At Goats (2009)
A reporter stumbles on the story of a lifetime when he meets a former 'psychic soldier'.
No Country For Old Men (2007)
A man goes on the run from a psychopath in Texas after coming across a briefcase of stolen cash.
On The Basis Of Sex (2018)
Biopic of Ruth Bader Ginsburg.
Rango (2011)
A chameleon finds himself in a Wild West town that is desperate for a new sheriff.
Trumbo (2015)
Story of the career of Hollywood screenwriter Dalton Trumbo, who was blacklisted in 1947.
Uncle Frank (2020)
A teenage girl and her uncle go on a road trip to a family funeral, with his boyfriend in tow, as her uncle tries to come to terms with his past.
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Magnificent creatures Jayro Bustamante on giving the girls of Hogar Seguro a voice in Rita

A unified vision DOC NYC highlights and cinematographer Michael Crommett on Dan Winters: Life Is Once. Forever.

Poetry and loss Géza Röhrig on Terrence Malick, Josh Safdie, and Richard Kroehling’s After: Poetry Destroys Silence

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